St. Francisville Says Goodbye and Good Riddance to 2020, Welcome to 2021
By Anne Butler
While we grieve for loved ones lost and celebrate those medical personnel and essential workers who have helped us preserve some semblance of living, we must remember that over the ages civilizations have somehow managed to survive pandemics and other atrocities. As Ashley Sexton Gordon reminded us in In Register magazine’s December issue, in the year 1347 the bubonic plague wiped out some 60% of Europeans, leading Italian writer Boccaccio to mourn that victims “ate lunch with their friends and dinner with their ancestors.” At least, she points out, they didn’t eat their friends, as did guide Alferd Packer, lost in a snowstorm in the San Juan Mountains of southwest Colorado in 1874, when he apparently cannibalized the five goldseekers in his starving party. And Smiley Anders’ contributor Marvin Borgmeyer brought up the Middle Ages, when survivors celebrated the end of each pandemic with wine and orgies (“Does anyone know what is planned when this one ends?” he asks).
As the new year opens, with vaccines and continued mitigation measures revealing the light at the end of the terrible tunnel, St. Francisville has much to celebrate and look forward to, for 2021 marks the 200th anniversary of the artist John James Audubon’s inspirational stay in the area. Hired by Lucretia Pirrie, mistress of Oakley Plantation, to tutor her young daughter Eliza for the summer, Audubon arrived at the Mississippi River port of Bayou Sara by steamboat in June of 1821. His arrival marked a pivotal point in his career. The artist who was “bereft at that time of not only funds but incentive” was about to be introduced to the rich flora and fauna of the Felicianas, teeming with birdlife, that would renew his enthusiasm and artistic inspiration to continue on his staggering quest to paint all the birds of this immense fledgling country..
The artist, penniless but rich in talent and dreams, was immediately struck by the beauty of the countryside, as he related in his journal: “The aspect of the country entirely new to us distracted my mind...the rich magnolia covered with its odoriferous blossoms, the holly, the beech, the tall yellow poplar, the hilly ground, even the red clay I looked at with amazement...surrounded once more by thousands of warblers and thrushes, I enjoyed nature.”
He recorded in his journal that the rich lushness of the landscape and flourishing birdlife “all excited my admiration,” and he would find the inspiration to paint dozens of his bird studies while residing at Oakley. The arrangement called for him to be paid $60 a month plus room and board for himself and his young assistant Mason, with half of each day free to collect and paint bird specimens from the surrounding woods, where he certainly must have cut a dashing figure in his long flowing locks, frilly shirts and satin breeches.
To celebrate the 200th anniversary of his arrival in the Felicianas, the West Feliciana Tourist Commission is planning an Audubon Interpretive Trail program, tracing his footsteps as he walked from Bayou Sara to Oakley Plantation, recording the amazing number of structures he would have seen and interacted with that are still standing in St. Francisville. These historic homes and businesses, governmental locations, churches and cemeteries have been preserved due to the area’s abiding sense of place, allowing visitors to experience at least partially what Audubon must have seen during his stay in 1821.
Of course there is nothing left of the little port city of Bayou Sara, washed away by continual Mississippi River flooding, but atop the bluffs of St. Francisville it is amazing how much is still around...the Catholic cemetery where Oakley’s neighbor rests in peace after Audubon had sat up with his body all night, the structures housing the mercantiles and marketplaces patronized by Audubon and his wife Lucy, the home of Audubon’s acquaintance whose horse he borrowed for a desperate ride to check on his wife Lucy during a yellow fever epidemic, the Episcopal church presided over by his pupil Eliza’s second husband, the sunken roadways and verdant countryside still teeming with birdlife, and of course Oakley Plantation, now a state historic site and popular tourist attraction with a wonderful visitor center full of all-inclusive exhibits bringing to life the early days on this extensive cotton plantation.
A 1937 biography by colorful Louisiana historian/author Stanley Clisby Arthur described Audubon’s aura of mysterious charm: “a gifted artist, quasi-naturalist, sometime dandy, quondam merchant, unkempt wanderer, many-sided human being...A halo of romance surrounds his entire career, and he was generally regarded as mad because of his strange self-absorption, his long hair, tattered garments, and persistence in chasing about the countryside after little birdies.” The good-looking and graceful young Audubon had a decided way with the ladies, played the flute as well as flageolet and violin, danced a mean cotillion, fenced, and was partial to snuff and a liberal helping of early-morning grog.
In 1820, following a string of failed business ventures, he set out for New Orleans aboard a flatboat with only his gun, flute, violin, bird books, portfolios of his own drawings, chalks, watercolors, drawing papers in a tin box, and a dog-eared journal. As he wrote in his journal, “Without any Money My Talents are to be My support and my Enthusiasm my Guide in My Difficulties.” He earned a meager living painting portraits and giving lessons in drawing, dancing and more scholastic subjects, but by the following year Audubon was established at Oakley Plantation near St. Francisville and well on his way to accomplishing his dream.
Audubon would spend only four months at Oakley, but managed to produce at least 32 of his bird paintings there and upwards of 70 in the area, from the Tunica Swamp to Little Bayou Sara, Beech Woods and Sleepy Hollow Woods, Beech Grove, and Thompson Creek. He did more of his bird studies in Louisiana than in any other state, and often referred to it as his favorite part of the country. He would mourn his departure from “the sweet Woods around us, to leave them was painfull, for in them We allways enjoyed Peace and the sweetest pleasures of admiring the greatest of the Creator in all his Unrivalled Works.”
In 1826 the artist started for Europe in search of a publisher; he had 240 bird drawings and $1700 his wife had saved from her earnings. He went first to England, then to Scotland with his “Birds of America,” and there the William H. Lizars Company of Edinburgh etched on copper plates the first ten drawings. After difficulties caused by colorists delaying production by going on strike in Scotland, Audubon took his drawings to the London company of Robert Havell and Son. It took eleven years to complete the copper plates of all, first run off in black and white, then hand colored to exactly match the original drawings, all under the supervision of Audubon. The original prints of “The Birds of America” measured 39½” by 29½” and were known as the Elephant Folio because of the size, bound in sets of four books; just under 200 complete bound sets were made up, sold by subscriptions costing $1000, and they represented 1065 lifesized birds. One of these original sets is in the rare book collection at LSU’s Hill Memorial Library.
Audubon died in January of 1851 in New York at the age of 66, some 30 years after his summer at Oakley set him on the road to recognition as one of the greatest bird artists and naturalists of all time, his bird studies characterized as “the greatest monument erected by art to nature.” As he would write in his journal on March 1, 1828, “The reason why my works pleased was because they are all exact copies of the works of God, who is the Great Architect and Perfect Artist—nature, indifferently copied, is far superior to the best idealities.”
And in the year 2021, the St. Francisville area will celebrate the colorful artist, his amazing bird studies, and hopefully the end of a devastating global pandemic. This might be a good year to give gift certificates from struggling small businesses in the St. Francisville area...the restaurants, overnight accommodations, gift shops and mercantiles, antiques co-ops, bookstores, art galleries, museums, historic tours, boutiques and all the other little indie businesses that have suffered from closures and limitations to keep customers safe.
Located on US Highway 61 on the Mississippi River between Baton Rouge, LA, and Natchez, MS, the St. Francisville area is a year-round tourist destination. Several splendidly restored plantation homes are open for tours: The Myrtles Plantation, Greenwood Plantation, plus Catalpa Plantation by reservation; Afton Villa Gardens is open in season. Particularly important to tourism in the area are its two significant state historic sites, Rosedown Plantation (a National Historic Landmark) and Oakley Plantation in the Audubon state site, which offer periodic living-history demonstrations to allow visitors to experience 19th-century plantation life and customs.
The nearby Tunica Hills region offers unmatched recreational activities in its unspoiled wilderness areas—hiking, biking and bicycle racing due to the challenging terrain, birding, photography, hunting; note that Clark Creek Natural Area with its waterfalls just across the Mississippi state line will not reopen until spring, but other fine options for hiking include Cat Island National Wildlife Refuge, Mary Ann Brown Nature Preseve, and the West Feliciana Parish Sports Park. There are unique art galleries plus specialty and antiques shops, many in restored historic structures, and some nice restaurants throughout the St. Francisville area serving everything from ethnic cuisine to seafood and classic Louisiana favorites. For overnight stays, the area offers some of the state’s most popular Bed & Breakfasts, including historic plantations, lakeside clubhouses and beautiful townhouses in St. Francisville’s extensive National Register-listed historic district, and there are also modern motel accommodations for large bus groups.
For visitor information, call St. Francisville Main Street at 225-635-3688 or West Feliciana Tourist Commission and West Feliciana Historical Society at 225-6330 or 225-635-4224; online www.stfrancisvillefestivals.com or www.stfrancisville.net.
For decades, St. Francisville’s wonderful Christmas in the Country celebration has drawn excited crowds to escape mall madness and celebrate a safe small-town holiday the first weekend in December. Its historic charm shone as tiny white lights climbed Victorian gallery posts to turn this little rivertown into a magical venue, its lavishly decorated shop windows filled with alluring gift possibilities and a delightful parade lending its theme to the whole shebang…Walking in a Winter Wonderland, or Have Yourself a Merry Little Christmas, or something equally upbeat.
Be sure to drive through the West Feliciana Parish Hospital’s lighting display from Burnett Road to Commerce St. and enjoy cookies and cocoa; this will be a popular drive-through all month. Also on Friday, from 7:30 to 9 p.m., Hemingbough hosts the Holiday Brass concert featuring the Baton Rouge Symphony.
There will be book signings for the new Soul of St. Francisville volume, full of fascinating history of iconic faces and places plus beautiful portraiture, at the West Feliciana Historical Society museum on Ferdinand Street on Saturday from 11 a.m. to 1 p.m. and at The Conundrum bookstore Sunday from 11 to 1.
But the big draw this weekend is the wonderful array of shopping opportunities in St. Francisville. There are co-ops bursting at the seams with antiques and one-of-a-kind collectibles, plus art galleries, specialty boutiques, ladies’ fashions, home décor and gift shops, ice cream parlors and candy shoppes, a bookstore, candles and crafts, fine jewelers and more. Many of these are located in charming repurposed historic structures, some of which were private cottages and others carrying on the tradition of several centuries as mercantiles.
The nearby Tunica Hills region offers unmatched recreational activities in its unspoiled wilderness areas—hiking, biking and bicycle racing due to the challenging terrain, birding, photography, hunting. There are unique art galleries plus specialty and antiques shops, many in restored historic structures, and some nice restaurants throughout the St. Francisville area serving everything from ethnic cuisine to seafood and classic Louisiana favorites. For overnight stays, the area offers some of the state’s most popular Bed & Breakfasts, including historic plantations, lakeside clubhouses and beautiful townhouses in St. Francisville’s extensive National Register-listed historic district, and there are also modern motel accommodations for large bus groups.
They come from every direction…from north or south along crowded US Highway 61, from the east via LA Highway 10, from the west across the new Audubon Bridge over the Mississippi River…and once they cross that parish line into West Feliciana, there is a collective audible sigh. Aaaaaaaaaaaaaaaaahhhhhhhh!
A Facebook request drew insightful comments from a wide variety of St. Francisville lovers---those born and bred here who never left, whose bloodlines run as deep and strong as the roots of those majestic live oaks; those who couldn’t wait to leave, but found themselves inevitably drawn back home; and those who came to visit and simply never left. And there were three main themes as to why St. Francisville’s logo “We Love It Here” is so fitting. First, the rolling hills and deep hollows, the verdant pastoral reaches, the mighty river and bountiful blossoms in well-tended gardens with always the scent of sweet olive or some other old fragrance perfuming the air, the terrain unlike any other in flat swampy south Louisiana (as one said, when you live in the swamp, West Feliciana seems like mountains).
Can this feeling be captured in a book? You bet it can, and it has, in the newly released book called The Soul of St. Francisville by two who earlier collaborated on the initial volume, Spirit of St. Francisville. Anne Butler is the author of more than twenty books, whose passion is the preservation of Louisiana history and culture, and who feels a real sense of urgency in getting all this preserved in one permanent volume. Award-winning artist Darrell Chitty is a real Renaissance man whose never-ending quest for new knowledge and techniques leads him into the future of art as well as into the past. This book is a showcase of his varied talents; some portraits you’d swear were Old Masters and some have been executed in the most modern of art forms. And yes, they both have discerning and loving eyes that certainly can see into the depths of the soul.
Located on US Highway 61 on the Mississippi River between Baton Rouge, LA, andNatchez, MS, the St. Francisville area is a year-round tourist destination; check locally for coronavirus mitigation requirements, please. Several splendidly restored plantation homes are open for tours: The Cottage Plantation (weekends), Myrtles Plantation, Greenwood Plantation, plus Catalpa Plantation by reservation; Afton Villa Gardens is open in season. Particularly important to tourism in the area are its two significant state historic sites, Rosedown Plantation (a National Historic Landmark) and Oakley Plantation in the Audubon state site, which offer periodic living-history demonstrations to allow visitors to experience 19th-century life and customs.

Mayor Billy D’Aquilla grew up in tiny Fort Adams, Mississippi, at a time when there were three wood-frame stores (two owned by his father and uncle) where trappers sold pelts and hunters or fishermen purchased provisions and all the country folks
Meantime he was elected to the town council in 1972 and served for twelve years, 8 of them as Mayor Pro Tem, before running for mayor himself. He winces as he recalls those early days of raw sewerage running in the streets of St. Francisville. Once elected to that demanding position in 1984, he has been returned to office ever since, 12 terms counting the town council, mostly without opposition. Why? He absolute loves his town and absolutely loves his job. He also serves on numerous boards and commissions like the Capitol Region Planning Commission and the Louisiana Municipal Association for which he has served for years as Vice President At Large for communities of 1,000 to 5,000 residents.
Proud of the many accomplishments made during his lengthy tenure, he says he has always had great people to work with, helping to implement many progressive improvements, including a new sewage system, 500,000-gallon water tower, new fire trucks, ball fields, enhanced tourism promotion. He’s especially proud of the downtown development plan that facilitated the placement of bricked sidewalks, public restrooms, and a lovely oak-shaded park with bandstand gazebo in the center of town, Parker Park, that hosts a myriad of festivals, marketplaces, and other entertainments. He has worked hard to get millions of dollars in grants to carry out projects in town, as well as lots of capital outlay money through the state legislature. He also convinced the state to turn over those portions of both highways (LA 10 and US 61) running through town, but only after the state overlaid both streets and shared $500,000 in surplus funding.
Tourism has for years been an economic mainstay for the downtown economy, with visitors coming from around the country to admire the small-town heritage and the preservation of its historic structures in a National Register-listed downtown district. As mayor, D’Aquilla certainly has been the head cheerleader and supportive of projects benefitting not only those within the town limits but also the parish as a whole. Steamboat visitors from around the world get off buses at the Town Hall and often stop in for a chat with the mayor, who is always welcoming. Hospitality as well as history keep this little town at or near the top of regional and national lists of Favorite Small Towns, and the patronage of out-of-town visitors means the difference between surviving and thriving for all the little downtown boutique shops and galleries. A spruced up docking facility planned for the steamboats that regularly visit St. Francisville will provide space for three vessels at once, as well as safe and spacious boat launching for recreational fishermen.
Age and back troubles have slowed the mayor, and he needs to spend more time with his family, especially wife Yolanda, whom he married in 1962. But as he approaches retirement, he looks back over his long career with the satisfaction of having made many improvements, with incredible help from his devoted staff and town employees. What is he most proud of? “I have always treated everybody fairly,” he says, “no matter what age, color or status in life. I think I am most proud of that.”
The nearby Tunica Hills region offers unmatched recreational activities in its unspoiled wilderness areas—hiking, biking and bicycle racing due to the challenging terrain, birding, photography, hunting. There are unique art galleries plus specialty and antiques shops, many in restored historic structures, and some nice restaurants throughout the St. Francisville area serving everything from ethnic cuisine to seafood and classic Louisiana favorites. For overnight stays, the area offers some of the state’s most popular Bed & Breakfasts, including historic plantations, lakeside clubhouses and beautiful townhouses in St. Francisville’s extensive National Register-listed historic district, and there are also modern motel accommodations for large bus groups.
“And into the forest I go, to lose my mind and find my soul.” That’s what 19th-century Scottish-born American naturalist John Muir said. Author and Sierra Club founder, Muir advocated the preservation of wilderness areas like Yosemite National Park, and his words certainly suit this unsettled and unpredictable time. Nature has such a calming, soothing impact on worried minds, and the St. Francisville area offers the chance to be safe, socially distanced and mask-wearing, while getting away from the stress and uncertainty of the COVID-19 issues.
Most of the overnight accommodations are functioning, although Shadetree won’t reopen until October, the Barrow House has permanently closed, and The Cottage Plantation will not be open in July. Others offer safe, sanitized lodging. The St. Francisville Inn, The Myrtles, Butler Greenwood, the Bluffs on Thompson Creek and Lake Rosemound B&Bs plus two motels are fully open; Hemingbough offers overnight stays but no breakfast at this point.
Greenwood Plantation in Weyanoke is open for B&B but offers house tours by appointment only, while the two state historic sites, Rosedown and Oakley (Audubon), are open daily for spaced tours inside and plenty of beautiful gardens and grounds to stroll through.
Restaurants are all open except Magnolia Café, which is doing some renovating. They offer a mixture of spaced indoor dining, outside patio dining, and take-out. The tourism map shows not only locations but on the back has phone numbers for each place, so diners can access menus online and call in a take-out order if they desire.
Located on US Highway 61 on the Mississippi River between Baton Rouge, LA, and Natchez, MS, the St. Francisville area is a year-round tourist destination; check locally for coronavirus mitigation requirements, please. Several splendidly restored plantation homes are open for tours: The Cottage Plantation (weekends), Myrtles Plantation, Greenwood Plantation, plus Catalpa Plantation by reservation; Afton Villa Gardens is open in season. Particularly important to tourism in the area are its two significant state historic sites, Rosedown Plantation (a National Historic Landmark) and Oakley Plantation in the Audubon state site, which offer periodic living-history demonstrations to allow visitors to experience 19th-century plantation life and customs.
Justin Metz has a musical ear and an artistic eye, and he puts both to work crafting his gorgeous duck calls that are in demand all across the country. And he does it all in a little well-equipped workshop in the wooded paradise called the Tunica Hills.
Louisiana, with its abundance of waterways and swamps, is the most important wintering area for over 3 million North American waterfowl every year; Louisiana Wildlife Insider calls the sheer size and diversity of our wetland habitats integral to meeting the life cycle demands of millions of waterfowl migrating up and down the Mississippi Flyway. But Justin Metz was not satisfied with the commercially stamped duck calls available in big box stores, and so in 2011, after years of sitting and listening to ducks from his blind, he knew he could mimic the sounds that convinced them to commit to come in and land.
Once he had perfected the shape and sound of his duck calls, Metz began adding artistic touches like carvings, many with specific meanings, all hand turned and freehand engraved. He makes his own bands as well, turning out what are essentially working pieces of fine art.
In south Louisiana, vast flat fields of sugar cane aren’t suitable for ducks, and many rice farmers in southwest Louisiana are now growing GMO rice, a very abrasive grain less desirable as a food source for waterfowl. But the state will always have thousands and thousands of migratory waterfowl and consequently thousands of enthusiastic duck hunters tempting them from blinds in wetlands and swamps, many using one of Justin Metz’ works of art, noted as much for beautiful craftsmanship as for exacting tone.
The loss of historically significant structures, whether to fire or flood or neglect, is disheartening to say the least. Sometimes, though, these historic homes are replicated. Sometimes, when the home itself is a total loss, the gardens and landscaping can be salvaged. And sometimes, when home and gardens are gone, the property itself can be rejuvenated in unexpectedly appropriate ways. That’s what is going to happen at Waverly Plantation, just north of the attractive campus where all of the St. Francisville area students go to school.
By 1842 he told the Daily Picayune that he had “a kite 110 feet long, 20 feet broad, and tapering to each end like the wings of a fishhawk. Under the center of the kite I have a frame 18 feet high, in which I stand. Under the kite are four wings which operate horizontally like the oars of a boat. They are moved by the muscles of the legs. The blades of the oars are made of a series of valves resembling Venetian blinds so that they open when they move forward and close when the stroke is made.” By 1872 he had been issued Patent Number 133046 from the U.S. Patent Office for “Improvement in Apparatus for Navigating the Air,” but by then he was an old man. He said he probably knew more than any other living soul on the subject of aerostation, adding that “when in the future the air is filled with flying men and women, the wonder will be that a thing so simple was not done long ago.”
The forty-ninth annual Audubon Pilgrimage March 20, 21 and 22, 2020, celebrates a southern spring in St. Francisville, the glorious garden spot of Louisiana’s English Plantation Country. For nearly half a century the sponsoring West Feliciana Historical Society has thrown open the doors of significant historic structures to commemorate artist-naturalist John James Audubon’s 1821 stay as he painted a number of his famous bird studies and tutored the daughter of Oakley Plantation’s Pirrie family, beautiful young Eliza.
On Ferdinand St., the second of downtown’s two main historic streets, Baier House was a simple four-room cottage considerably embellished by former mayor and master carpenter George Baier when he finally moved from flood-prone Bayou Sara up the hill to the safety of St. Francisville’s high-and-dry location. He had nearly drowned in Bayou Sara in the flood of 1920/21, when the Weydert brothers saved him as he held onto ropes trying to keep his house from being washed away. Its steep backyard gives testament to St. Francisville’s description as the little town that’s two miles long and two yards wide.
Another country house is the Lemon-Argue House, fine example of vernacular architecture and a fascinating yeoman farmer’s cottage illustrative of 18th-century timbering techniques with its handhewn logs of blue poplar. Built by Irish immigrant William Lemon around 1801 on a Spanish land grant, it has recently been donated by his descendants to LSU and the Rural Life Museum for use as a classroom, research lab and historic house museum providing hands-on experience for students in many different fields. Minimally furnished for pilgrimage tours, this is a preservation work in progress.
Friday evening features old-time Hymn Singing at the United Methodist Church, Graveyard Tours at Grace Episcopal cemetery (last tour begins at 8:15 p.m.), and a wine and cheese reception (7 to 9 p.m.) featuring the pilgrimage’s exquisitely detailed 1820’s evening costumes, nationally recognized for their authenticity.
For tickets and tour information, contact West Feliciana Historical Society, Box 338, St. Francisville, LA 70775; phone 225-635-6330 or 225-635-4224; online www.audubonpilgrimage.info, email sf@audubonpilgrimage.info. Tickets can be purchased at the Historical Society Museum on Ferdinand Street.
St. Francisville’s Celebration of Rural Life Skills
Besides the plantation big houses and the quarters for enslaved workers, there were many small yeoman farmers, both black and white, eking out a hardscrabble existence, clearing small landholdings and erecting rough dwellings either on their own or with the help of a small number of slaves. It is that simple way of life that the Rural Homestead celebrates.
And so began the Rural Homestead, with simple structures built in the traditional manner by carpenters using time-honored practices passed down through the generations, inside which demonstrations of significant 19th-century skills and crafts provide an understanding of early life in the Felicianas. And it is heartwarming to see third and fourth-generation workers of all ages…Daniels, Harveys, Temples, Ritchies, Lindseys, Metzes and more…carrying on the traditions today.
The Kitchen is roofed with cypress shingles, as were all the early structures in West Feliciana; they were weather resistant, fire resistant, termite resistant. Making these shingles using a froe to peel them from a cypress log is a dying art. It is demonstrated on site by a member of a family long associated with such practice; he’s the only one left to do so, and he uses a treasured century-old draw knife that’s been used by generations.
The Blacksmith Shop recalls the early methods of forging and repairing the all-important farming equipment, horseshoes, wagon wheels and other metals over an open fire. Today, hooks and simple fireplace tools are made, and demonstrations of woodburning are given; some of these items may be purchased.
As a 1976 article in the local newspaper said, “Not every door in fabled West Feliciana swung open on silver hinges. Most swung on plain iron hinges, and some even on wooden hinges.” The Rural Homestead was conceived and still is an effort to record vanishing folkways and create a new awareness of the need for preservation and conservation, and it was implemented just in the nick of time to capture the 19th-century practices and skills being passed along by “the collective remnant of the last generation to have known 19th-century rural ways.”
The nearby Tunica Hills region offers unmatched recreational activities in its unspoiled wilderness areas—hiking, biking and bicycle racing due to the challenging terrain, birding, photography, hunting. There are unique art galleries plus specialty and antiques shops, many in restored historic structures, and some nice restaurants throughout the St. Francisville area serving everything from ethnic cuisine to seafood and classic Louisiana favorites. For overnight stays, the area offers some of the state’s most popular Bed & Breakfasts, including historic plantations, lakeside clubhouses and beautiful townhouses in St. Francisville’s extensive National Register-listed historic district, and there are also modern motel accommodations for large bus groups.